 |
THE PARIS REVIEW No. 60
Winter 1974 |
|
Sold Out |
“I wanted to be a writer when I was in the sixth grade—of course, I wanted to be one without working at it”: Joseph Heller on the Art of Fiction.
Peter Matthiessen discusses his new novel format, inspired by haiku poetry and screenplays.
Stories by Gail Godwin, Herbert Gold, and Peter Matthiessen. Poems by Anen Sexton and Charles Simic. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Joseph Heller, The Art of Fiction No. 51 |
|
| FICTION |
| Jack Cope, Drinker of the Bitter Water | | Gail Godwin, Why Does a Great Man Love? | | Herbert Gold, Max and the Pacemaker | | Harvey Jacobs, The Return to Puerto Vallarte of Benny the Buro | | Peter Matthiessen, from Far Tortuga |
|
| FEATURE |
| Peter Matthiessen, The Craft of Fiction in Far Tortuga | | Charles Simic, Eight Poems |
|
| POETRY |
| Michael Benedikt, Orders From Beyond | | Randy Blasing, Some Legs | | Jay Boyer, Unnatural Acts and Menagerie | | Tom Disch, Three Poems | | Erica Jong, Testament | | Adam LeFevre, Planning Ahead | | W. S. Merwin, The Reaper | | Pat Nolan, Stick 'Em Up | | Gregory Orr, Domestic Life | | Dannye Romine, In the Periodical Room | | Anne Sexton, Two Poems | | Brian Swann, Heliopolis | | L. L. Zeiger, Three Poems |
|
| ART |
| Brice Marden, Cover | | Duane Michals, Portfolio: Stefan Michal's Suitcase, Margaret Finds a Box |
|
|
|
|
|
