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THE PARIS REVIEW No. 122
Spring 1992 |
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“There were two thousand of us . . . against some twenty thousand Egyptians on the other side”: Yehuda Amichai on poetry, comparative time, and the founding of the Jewish state.
James Merrill and David Jackson pierce the veil and speak with the dead.
Stories by Edward Jones and Norman Manea. Poems by Yehuda Amichai and Eugenio Montale. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Yehuda Amichai, The Art of Poetry No. 44 | | Claude Simon, The Art of Fiction No. 128 |
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| FICTION |
| Edward Jones, Marie | | George Konrad, On the Adolescence of Middle-aged Boys | | Nancy Lemann, Sportsman's Paradise | | Norman Manea, Portrait of the Yellow Apricot Tree | | Jean Rouaud, All Saints' Day |
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| FEATURE |
| David Jackson, The Plato Club | | James Merrill, The Plato Club |
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| POETRY |
| Yehuda Amichai, Four Poems | | Robert Bensen, The Truth about Everything | | Henri Cole, Two Poems | | Alfred Corn, from 1992 | | Gerrit Henry, Alone at Last | | Rodney Jones, The Privacy of Women | | Paol Keineg, Eight Poems | | Karl Kirchwey, Liberators | | August Kleinzahler, Three Poems | | Robert Levy, New Age | | Thomas Lynch, Grimalkin | | Eugenio Montale, Five Poems | | Jacqueline Osherow, Fornacette, 1990, Spring | | Alan Michael Parker, The Menisus | | Carl Phillips, Fra Lippo Lippi and the Vision of Henley | | Peter Redgrove, Two Poems | | Tomaz Salamun, The Hunter | | Laurie Sheck, Filming Jocasta | | Daniel Wolff, Lines From Inside an Empire | | Baron Wormser, Two Poems | | Cynthia Zarin, Two Poems |
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| ART |
| Ford Beckman, Pop Painting | | Jan Groover, Landscapes | | Edward Ruscha, Cover |
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