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THE PARIS REVIEW No. 118
Spring 1991 |
$30 | Order Now |
“Emerson is God”: Harold Bloom on the Art of Criticism.
“You can learn the names of more arcane pieces of furniture reading Balzac than you can reading a Sotheby’s catalogue”: Tom Wolfe on the Art of Fiction.
Stories by J. G. Ballard, Evan S. Connell, and Tatyana Tolstaya. Poems by Diane Ackerman, Eavan Boland, and William Logan |
| TABLE OF CONTENTS |
| INTERVIEW |
| Harold Bloom, The Art of Criticism No. 1 | | Tom Wolfe, The Art of Fiction No. 123 |
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| FICTION |
| J. G. Ballard, The Index | | Evan S. Connell, from The Alchymist's Journal | | Tatyana Tolstaya, Night |
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| FEATURE |
| Anthony Burgess, from You've Had Your Time | | Maryann Carver, Glimpses: Raymond Carver | | Raymond Carver, Glimpses: Raymond Carver | | Chuck Kinder, Glimpses: Raymond Carver | | William Kittredge, Glimpses: Raymond Carver | | Jay McInerney, Glimpses: Raymond Carver | | Ben Sonnenberg, I See a Woman May Be Made a Fool | | Douglas Unger, Glimpses: Raymond Carver |
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| POETRY |
| Diane Ackerman, Two Poems | | Ibn Darraj al-Quastalli, The Lily | | John Ashbery, from Flow Chart | | Randy Blasing, Hymn to the Sun | | Don Bogen, Thoroughbreds | | Eavan Boland, Two Poems | | Lucie Brock-Broido, Two Poems | | Mark Halliday, Two Poems | | John Hollander, Selected Short Subjects | | Helena Kaminski, Two Poems | | A. M. Krich, At the Freud Museum | | Mark Levine, At the Experimental Farm | | William Logan, The Rising Sun | | Ibn Sara, Eggplant | | David Sheppard, Walking Away | | Enid Shomer, Hydrotherapy | | Terese Svoboda, Inventor | | Eric Trethewey, Scar | | Theodore Weiss, A Foreign Tongue | | John Yau, Postcard from Trakl | | Ibn Zamrak, The Alhambra Inscription |
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| ART |
| Joan Mitchell, Cover: Hours | | Allen Ruppersberg, Contents Page: The Gift and the Inheritance | | Mark Tansey, Pictures |
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