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Mary McCarthy
© Nancy Crampton
MARY MCCARTHY
The Art of Fiction No. 27
Interviewed by Elisabeth Sifton
Issue 27, Winter-Spring 1962
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From the Interview
INTERVIEWER
Other than the problem of arrangement of time, are there other specific technical difficulties about the novel you find yourself particularly concerned with?

MCCARTHY
Well, the whole question of the point of view, which tortures everybody. It’s the problem that everybody’s been up against since Joyce, if not before . . . I think one reason that everyone—at least I—welcomed Dr. Zhivago was that you had the author in the form of the hero. And this beautiful tenor voice, the hero’s voice and the author’s—this marvelous voice, and this dear sound of intelligence. The Russians have never gone through the whole development of the novel you find in Joyce, Faulkner, etcetera, so that Pasternak was slightly unaware of the problem! But I think this technical development has become absolutely killing to the novel.
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